Review: The Thief by Claire North



The Thief

The Gameshouse II

by Claire North

Fantasy | Novella | 100 Pages | Published by Orbit in 2015


| Rating |


The Serpent, the first novella in The Gameshouse series, impressed with its enchanting and opulent setting and its calculated narrative which resonated with political intrigue and decisive manoeuvres. The second novella, The Thief, follows on from The Serpent several hundred years later in an equally beautiful but entirely different tale which is utterly gripping from start to finish.

The Thief is a heady, exotic and thrilling tale which takes the reader on a journey – one of survival and victory – across Thailand and Asia. Through jungles and cities, on railroads and by foot, North weaves across the landscape as she spins her tale of The Gameshouse, where bets, debts and the game remain king. This is an exciting, intoxicating and incredibly beautiful tale and, much like The Gameshouse, once it has it hooks in you, it is impossible to let go.

The Gameshouse is an unusual institution.

Many know it as the place where fortunes can be made and lost though games of chess, backgammon – every game under the sun.

But a select few, who are picked to compete in the higher league, know that some games are played for higher stakes – those of politics and empires, of economics and kings . . .

In 1930s Bangkok, one higher league player has just been challenged to a game of hide and seek. The board is all of Thailand – and the seeker may use any means possible to hunt down his quarry – be it police, government, strangers or even spies . . .

The Gameshouse is preparing itself for The Great Game but, first, another pieces needs to be manoeuvred into place. Once more we take up the die and play the game which transcends all boundaries, the game which fells empires and topples kings and where the cost of victory leaves an indelible imprint on the world. Anonymous sentinels stand watch as they recount a tale of hide and seek, a game where whole countries are the board and governments, military and warbands are the pawns.

It’s the summer of 1938 and Remy Burke has made a bet with the notorious Abhik Lee; a bet he made whilst drunk and in no fit state to call terms. The wager: Twenty years of Abhik Lee’s life versus Remy Burke’s memory. The deck is stacked against him and his pieces, those people and forces that he holds in his power like pawns on a chessboard, cannot compare to the powerful hand that Lee holds.

Under such circumstances a game of hide and seek is no easy feat, not when you’re a near six-foot Anglo-Frenchman in the heart of Asia; not when your opponent has such powerful forces to call upon; and not when your opponent would never have made a bet unless he knew he could win. For Remy, victory and survival may just be one and the same thing.

Throughout The Thief, North stuns with her sumptuous and compulsive writing. She paints a picture of 1930’s Thailand, and Bangkok in particular, with such skill and ease that it’s hard not to feel you’ve suddenly been transported there. From the heart of the city, to the wilds of the jungle, to the cracked and dry deserts, North conjures up a world of politics and alliances, of cities and wilderness, and saturates her writing with a wealth of history in this fantastical and enchanting tale.

The Thief is almost reminiscent of those great chase stories, such as The Thirty-Nine Steps or twentieth century escape memoirs, which share a protagonist fleeing across expansive stretches of wilderness and jungle with unknown enemies hidden within the landscape. North delights in stacking the decks against her creation; everyone and anyone could be a piece in Lee’s hand. Trust the wrong person and Burke may lose more than just the game. But even an underdog may yet have a few tricks to play.

Once more the silent observers take the reigns of the tale and steer our course, recounting Burke’s tale in additively florid prose. Their identity remains a mystery and their allegiance remains unknown, but their desire for Burke’s unlikely victory lends them a friendly if other-worldly air. They seem both part of The Gameshouse and separate from it, transcending time and earthly boundaries to observe and record the unfolding of the game.

Remy Burke is an affable and likeable protagonist who, in his own terms, has become a little sloppy when it comes to the game. His fundamental flaws of character leave him with no time to assess and no time to think, his game becoming a chase from start to finish, and the pursued outwitted and outmatched at almost every turn. But friendship may be found by our beleaguered protagonist, even within The Gameshouse, as The Thief sees the return of the enigmatic Silver.

The Thief is an incredibly well written tale which rejoices in its own prose and is almost impossible to put down. This is a series of novellas which, although close to perfect in their own short format, consistently leaves me yearning for more. The writing is poetic, the premise is full of intrigue and excitement, the characters are both likeable and other-worldly, and the power and draw of The Gameshouse is almost tangible. Once it has you in its sights, The Gameshouse will not let go.

I wholeheartedly recommend The Thief, along with the other Gameshouse novellas, to anyone wishing for a beautiful, tense and exciting break from reality. Fantasy, history and intrigue are entwined throughout the narrative for something which, for me, bordered close on perfection. Claire North has once again left me with the distinct impression that I really do not have enough of her work in my life.

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Review: The Serpent by Claire North



The Serpent

The Gameshouse I

by Claire North

Fantasy | Novella | 100 Pages | Published by Orbit in 2015


| Rating |


Claire North has been on my radar ever since she was Catherine Webb and publishing novels at the grand old age of sixteen. However, despite this early success, it wasn’t until The Gameshouse series appeared on my feed that I picked up her any of her novels. With a sumptuous, seventeenth century Venetian setting and an enchanting premise, The Serpent is a novella which had me trapped in its web of intrigue and politics from the very start. This is The Gameshouse, where fortunes are made and empires are broken. Will you place a bet?

In 17th Century Venice exists a mysterious establishment known only as the Gameshouse.

There, fortunes are made and fortunes are broken over games of chess, backgammon and every other game under the sun.

But those whom fortune favours may be invited to compete in the higher league . . . a league where the games played are of politics and empires, of economics and kings. It is a league where Capture the Castle involves real castles, where hide and seek takes place on a scale as big as the British Isles.

Not everyone proves worthy of competing in the higher league. But one woman, who is about to play, may just exceed everyone’s expectations.

Though she must always remember: the higher the stakes, the more deadly the rules…

Trapped in a loveless marriage, Thene must stand by a husband who whiles away his days gambling and whoring, falling into debt and dishonour as he spends every last coin. Finding herself at The Gameshouse, in the company of gamblers and gamesters, fortune makers and fortune breakers, she watches as her husband sinks further into ruin. Unable and unwilling to change his fate, she takes up the dice.

She plays for gold and plays for coin and, when the scales tip in her favour, her actions capture the attention of the house. Called to the higher league, Thene finds that she is playing for far more than she could ever have imagined. This is a game which transcends all boundaries, where players control people like pieces on a board, and where the fate of empires and kings is decided by a roll of the dice. In this game of politics she must claim victory for her king or risk losing all.

The Serpent is a richly imagined tale, brimming with mystery and intrigue, and reminiscent of the old morality tales of centuries past. Venice is depicted in gloriously vivid detail, the architecture of the city and the spirit of its people captured in remarkably lyrical prose. North weaves the fantastical throughout a narrative which in all other ways could be real. This is a novella which lives and breaths its time and place, where it’s as easy to become lost in the pages as in the narrow calles and campos of Venice. North has captured the spirit of a city – the revelry, politics and intrigue – whilst basking in its grandeur.

The narrative is told from the perspective of unseen observers who watch as Thene plays her game of kings; silent sentinels who recount the unfolding of events whilst giving little away as to their form and purpose. Thene is an intelligent and thoughtful character who conjures up an instant rapport, the hardship she endures balanced by her power as a player. The other characters, or pieces – the Priestess, the Fool, the Queen of Cups, and the four kings eager to be crowned – are lent an air of mystery, creating an exciting and unpredictable read which keeps you guessing until the very end.

Claire North has proven herself to be a skilled author whose way with words is sure to impress. Her use of language and her beautiful, poetic prose conveys the excitement and thrill of the game whilst carving out a city and a compelling narrative in wonderful detail. This is a novella centred around politics and power – instantly captivating and utterly absorbing; North is the Gamesmaster and the readers are puppets on her strings.

The Serpent surprised and impressed me in equal measure, and I would recommend  it to fans of fantasy and historical fiction alike. With two more novellas in The Gameshouse series awaiting my attention, along with numerous feature length novels, I’m sure 2016 will be a year in which Claire North features heavily on my reading list – I seriously can’t wait!

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