Top Ten Tuesday: Top Ten… Classics I’ve Recently Added to my TBR


Top Ten TuesdayWelcome to Top Ten Tuesday – a weekly feature hosted by those lovely bookworms over at The Broke and the Bookish. Expect a new top ten list every week!


| Top Ten… Classics I’ve Recently Added to my TBR |

This week’s Top Ten features the books I’ve recently added to my TBR. To mix it up a little, however, this Top Ten only features classics as there are far too many I need to read and I keep intending to compile a list – and then don’t! In no particular order, here are this week’s Top Ten… Classics I’ve Recently Added to my TBR:

| 1. |

ATTWN

And Then There Were None

by Agatha Christie

First, there were ten – a curious assortment of strangers summoned as weekend guests to a private island off the coast of Devon. Their host, an eccentric millionaire unknown to all of them, is nowhere to be found. All that the guests have in common is a wicked past they’re unwilling to reveal – and a secret that will seal their fate. For each has been marked for murder. One by one they fall prey. Before the weekend is out, there will be none. And only the dead are above suspicion.
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| 2. |

MAM

The Master and Margarita

by Mikhail Bulgakov

Mikhail Bulgakov’s devastating satire of Soviet life was written during the darkest period of Stalin’s regime. Combining two distinct yet interwoven parts—one set in ancient Jerusalem, one in contemporary Moscow—the novel veers from moods of wild theatricality with violent storms, vampire attacks, and a Satanic ball; to such somber scenes as the meeting of Pilate and Yeshua, and the murder of Judas in the moonlit garden of Gethsemane; to the substanceless, circus-like reality of Moscow. Its central characters, Woland (Satan) and his retinue—including the vodka-drinking black cat, Behemoth; the poet, Ivan Homeless; Pontius Pilate; and a writer known only as The Master, and his passionate companion, Margarita—exist in a world that blends fantasy and chilling realism, an artful collage of grotesqueries, dark comedy, and timeless ethical questions.

Though completed in 1940, “The Master and Margarita” wasn’t published in Moscow until 1966, when the first part appeared in the magazine “Moskva.” It was an immediate and enduring success: audiences responded with great enthusiasm to its expression of artistic and spiritual freedom.
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| 3. |

MMJ

My Man Jeeves

by P.G. Wodehouse

Who can forget our beloved gentleman’s personal gentleman, Jeeves, who ever comes to the rescue when the hapless Bertie Wooster falls into trouble. My Man Jeeves is sure to please anyone with a taste for pithy buffoonery, moronic misunderstandings, gaffes, and aristocratic slapstick.
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| 4. |

Bulldog Drummond

Bulldog Drummond

by Sapper

‘Demobilised officer, finding peace incredibly tedious, would welcome diversion. Legitimate, if possible; but crime, if of a comparatively humorous description, no objection. Excitement essential… Reply at once Box X10.’

Hungry for adventure following the First World War, Captain Hugh ‘Bulldog’ Drummond begins a career as the invincible protectorate of his country. His first reply comes from a beautiful young woman, who sends him racing off to investigate what at first looks like blackmail but turns out to be far more complicated and dangerous.

The rescue of a kidnapped millionaire, found with his thumbs horribly mangled, leads Drummond to the discovery of a political conspiracy of awesome scope and villainy, masterminded by the ruthless Carl Peterson.
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| 5. |

Topper

Topper

by Thorne Smith

Thorne Smith is a master of urbane wit and sophisticated repartee. Topper, his best-known work, is the hilarious, ribald comedy on which the hit television show and movie (starring Cary Grant) were based.

It all begins when Cosmo Topper, a law-abiding, mild-mannered bank manager, decides to buy a secondhand car, only to find it haunted by the ghosts of its previous owners–the reckless, feckless, frivolous couple who met their untimely demise when the car careened into an oak tree. The ghosts, George and Marion Kerby, make it their mission to rescue Topper from the drab “summer of suburban Sundays” that is his life–and they commence a series of madcap adventures that leave Topper, and anyone else who crosses their path, in a whirlwind of discomfiture and delight.

As enchanting today as it was when first published in 1926, Topper has set the standard in American pop culture for such mischievous apparitions as those seen in The Ghost and Mrs. Muir, Heaven Can Wait, Beetlejuice, and Bewitched.
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| 6. |

ASM

A Strange Manuscript Found in a Copper Cylinder

by James de Mille

Four sailors discover a copper cylinder containing a manuscript written by the adventurer Adam More, who was shipwrecked in the southern hemisphere. They read its contents out loud to one another, and the incredible story unfolds—his journey through a subterranean tunnel to a lost world that survives at the foot of a volcano. This strange utopian society, in which humans coexist with prehistoric animals, is the antithesis of Victorian England, as poverty is preferred to wealth and darkness to light. At once a timeless satire and a pioneering work of the science fiction genre, this story is bound to enthrall readers today and revive James De Mille’s reputation as a writer ahead of his time.
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| 7. |

WiW

The Woman in White

by Wilkie Collins

‘In one moment, every drop of blood in my body was brought to a stop… There, as if it had that moment sprung out of the earth, stood the figure of a solitary Woman, dressed from head to foot in white’

The Woman in White famously opens with Walter Hartright’s eerie encounter on a moonlit London road. Engaged as a drawing master to the beautiful Laura Fairlie, Walter becomes embroiled in the sinister intrigues of Sir Percival Glyde and his ‘charming’ friend Count Fosco, who has a taste for white mice, vanilla bonbons, and poison. Pursuing questions of identity and insanity along the paths and corridors of English country houses and the madhouse, The Woman in White is the first and most influential of the Victorian genre that combined Gothic horror with psychological realism.
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| 8. |

TTM

The Thin Man

by Dashiell Hammett

Nick and Nora Charles are Hammett’s most enchanting creations, a rich, glamorous couple who solve homicides in between wisecracks and martinis. At once knowing and unabashedly romantic, The Thin Man is a murder mystery that doubles as a sophisticated comedy of manners.
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| 9. |

BNW

Brave New World

by Aldous Huxley

Far in the future, the World Controllers have created the ideal society. Through clever use of genetic engineering, brainwashing and recreational sex and drugs, all its members are happy consumers. Bernard Marx seems alone harbouring an ill-defined longing to break free. A visit to one of the few remaining Savage Reservations, where the old, imperfect life still continues, may be the cure for his distress…

Huxley’s ingenious fantasy of the future sheds a blazing light on the present and is considered to be his most enduring masterpiece.
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| 10. |

DiV

Death in Venice

by Thomas Mann

Published on the eve of World War I, a decade after Buddenbrookshad established Thomas Mann as a literary celebrity, Death in Venice tells the story of Gustav von Aschenbach, a successful but aging writer who follows his wanderlust to Venice in search of spiritual fulfillment that instead leads to his erotic doom.

In the decaying city, besieged by an unnamed epidemic, he becomes obsessed with an exquisite Polish boy, Tadzio. “It is the story of the voluptuousness of doom,” Mann wrote. “But the problem I had especially in mind was that of the artist’s dignity.”
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Bookish Beats: Assassin’s Creed III


Bookish BeatsMusic, much like literature, has the power to drive your imagination; it can lift the soul and create real emotion.This is Bookish Beats, a feature which will showcase some of the soundtracks which have enriched the worlds I’ve found between the pages. 


Assassin’s Creed III (Original Game Soundtrack)

Composed by Lorne Balfe


Listen to with:

An action-packed fantasy adventure

Such as:

The Way of Shadows by Brent Weeks

Another day, another foray into the world of Assassin’s Creed. The soundtrack for Assassin’s Creed III, composed by Lorne Balfe, is a fantastic stand-alone album comprised of action-packed orchestral numbers, tense synths, sweeping string and soaring woodwind pieces which, nevertheless, sits well within the ever expanding AC catalogue. This is a soundtrack which gets better with every listen and provides an utterly thrilling and incredibly atmospheric backdrop to reading.

Those who love an action filled soundtrack will not be disappointed. Nearly every track picks you up and throws you along on a riot of non-stop action and, other than my top track in this category, Trouble in Town, The Battle of Breed’s Hill and Battle at Sea really stand out. Not to mention, anyone up for a bit of an Irish Jig have Fight Club and Beer and Friends to sample.

Assassin’s Creed III is not without a good dose of tension either, and though there is a tense undercurrent to many of the tracks, some pack more of a punch than others. Although I’m usually a fan of subtle tension, Eye of the Storm had me on the edge of my seat. It’s an almost overwhelmingly tense track, faintly discordant and brimming with action and movement. I defy anyone to listen to it without feeling that knot of tension build up inside.

This soundtrack is not without its slow, gently soaring moments either; tracks filled with emotion, tracks whose subtlety is perfect for those quiet moments. An Uncertain Moment and Speck of Dust are firm favourites in this category and the use of woodwind in Connor’s Life, Through the Frontier and Homestead create moments in which time stands still; incredibly beautiful and wonderfully contrasting when compared to the pace of the rest of the soundtrack.

The AC soundtracks may all be different, they are the work of many different composers after all, but they retain a consistently high standard which capture real emotion, danger and tension. The soundtrack for Assassin’s Creed III may not be as thematically strong as its counterparts but every listen surprises me, every time it gets better. It’s certainly one I intend to return to time and time again.

Favourite track

01 – Assassin’s Creed III Main Theme

Top track for action

03 – Escape in Style

Top track for tension

18 – Eye of the Storm

Top track for emotion

13 – Speck of Dust

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Bookish Beats: Belle OST


Bookish BeatsMusic, much like literature, has the power to drive your imagination; it can lift the soul and create real emotion.This is Bookish Beats, a feature which will showcase some of the soundtracks which have enriched the worlds I’ve found between the pages. 


Belle

Belle (Original Motion Picture Soundtrack)

Composed by Rachel Portman


Listen to with:

An enchanting & romantic tale

Such as:

A Court of Thorns and Roses by Sarah J. Maas

Belle is a seriously beautiful soundtrack – one thing that Rachel Portman consistently succeeds at. In fact, Belle could arguably be her best. It’s a gentle, softly sweeping soundtrack which heightens the emotions and is incredibly enchanting in its own right. Not to mention a perfect complement to a wonderful film.

This soundtrack also lends itself to being a perfect accompaniment for reading to; whether to a tale of magic and wonder or a classic romance. This soundtrack just works; brimming with emotion and poised on the edge of dramatic tension throughout. If you tend to cry whilst reading, this soundtrack may well push you over the edge!

And though I say it most weeks, Belle is incredibly difficult to single out any particular track for the favourites categories. Every single one is of an incredibly high standard and though they are all unique, they all share a common, incredibly beautiful theme. If you want to enhance an enchanting and romantic tale, look no further than Belle.

Favourite track

01 – Main Titles

Top track for action

21 – Dido Goes To Courts

Top track for tension

20 – Lord Mansfield Watches John

Top track for emotion

03 – Are You Punishing Me?

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